LLWYD, Humphrey

The breuiary of Britayne. Together with the geographicall description of the same.

London, By Richard Iohnes, 1573.

£9,500

FIRST EDITION thus. 8vo. ff. [xxii], 96 leaves. A 2*² [par.] [par.]* B-N. Black, Italic and Roman letter. Title within typographical border, grotesque woodcut initials and tail-pieces, typographical ornaments, armorial bookplate of Albert Ehrman on pastedown, his library stamp with monogram A. E. on rear pastedown,  bookplate of Fox Pointe collection on rear f.ep. Very light age yellowing. A fine copy, crisp and clean with good margins, a few deckle edges, in handsome early 19th century vellum, covers bordered with a gilt scrolled rule, fleurons gilt to corners, central arabesque gilt, red morocco label gilt lettered on spine, very slightly soiled.

First English translation of a historical, linguistic and topographical tour of Britain, originally sent by the dying author to the famous geographer-mathematician Abraham Ortelius of Antwerp, that he might “Take therfore, this last remembrance of thy Humfrey, and for ever Adieu” (Llwyd’s dedication). The Latin text (Adams L 1378) was published in Cologne in 1572.

Llwyd (1527-1568), geographer, astrologer, antiquary and M.P. for Denbigh, was the private physician to Henry Fitzalan, 12th Earl Arundel, a book-collector whose library, much of which is now in the British Library, contained not only many of Cranmer’s library-books but also arguably the finest geography collection of Elizabethan times, to whose assembly Llwyd lent his expertise, along with his friend John Leland. Llwyd also numbered amongst his friends Elisabeth I’s astrologer Dr. John Dee. His original Latin text was described by Lowndes (IV, 1377) as an “excellent work,’ much followed by Camden’ (Nicholson)”.

Twynne (1543-1613), physician, master of Canterbury free school, and another friend of Dee, made this translation with a full index. He includes a list of authors cited and, at the end, a list of ‘Certayne Welsh, or rather true British woordes, conuerted into Latin by the Author, & now translated into English’. “Llwyd] wrote the Commentarioli Britannicae descriptionis fragmentum, a short historical and geographical description of Britain which he dispatched to Ortelius on 3 August 1568; it was published in Cologne in 1572 and is dedicated to Ortelius. It was translated by Thomas Twyne under the title The Breviary of Britayne and published in 1573. It was the first attempt to compile a chorographia of Britain as a whole. Central themes of Llwyd’s work are his defence of Geoffrey of Monmouth (particularly countering the attacks of Polydore Vergil), and his belief in the integrity of the early British church.” DNB.

“For Humphrey Llwyd, writing in or before 1568, the Welsh are ‘the very true Britaynes by birth’, a nation which, according to Geoffrey of Monmouth, could trace its descent back through Arthur to Britain’s founding father Brutus, grandson of the Trojan warrior, Aeneas. Llwyd writes that his welsh contemporaries had inherited the warlike spirit of their Trojan ancestors and were themselves ‘most valiant in warlike affayres’, a Welsh myth of origin that persisted into the seventeenth century and found echo even among writers, like Camden, otherwise sceptical Galfridian lore.” Stewart Mottram ‘Ruin and Reformation in Spenser, Shakespeare, and Marvell.’

A fine copy of this rare work from the library of Albert Ehrman, distinguished collector and generous benefactor whose collection was partly presented to the Cambridge University Library in 1978 and now forms the so-called “Broxbourne Collection” (after the village of Broxbourne, Hertfordshire, where Ehrman lived); the rest of the library was sold at auction (Sotheby, Parke, Bernet & Co., 14 Nov. 1977-8). See `The Broxbourne Library’, BLR 10 (1979), 78-80. Nicolas Barker, `Albert Ehrman’, Book Collector, 19 (1970), 455-64; `News and comments’, Book Collector, 27 (1978), 83-7, 552-3; John Bidwell, `Albert Ehrman’, in Grolier 2000: A Further Grolier Club Biographical Retrospective in Celebration of the Millennium (New York, 2000), 84-7.

ESTC S108126. STC, 16636. Lowndes IV 1377.

L3000

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KOREAN MAP, Capital Province

JEONG CHEOK MAP OF KOREA’S CAPITAL PROVINCE

Map of the capital province, Joseon Korea.

Korea, first half of 18th century.

£2,750

Hand-drawn map, first half of the 18th century, depicting the capital (gyeonggi 京畿) province of Joseon Korea. It is fourth of the eight provinces of Joseon Korea (Joseon paldo 朝鮮八道, which were reorganised into the 13 modern provinces in 1896.) It states the administrative classification of each district or outpost, as well as how many days of overland travel are required to reach it from the capital. It was intended to aid scholar-officials holding government civil service positions in planning their journeys. This map was produced by an unknown Joseon Korean cartographer in the celebrated and highly distinctive “Jeong Cheok” style, and it is a superb example of this quintessential pre-19th century cartographical tradition.

Mounted within thin oriental wood, framed and glazed, on bamboo paper, measuring 45cm x 39.3cm, including fabric border of 6.1-6.7cm. The map itself is 32.2cm x 27.1cm. Text border on all sides, however all but the outer border have been cropped. The border that remains is 0.9-1.2cm deep, with a slither remaining along the top. The paper has occasional faint darker areas, however none diminish the legibility or artistry. The map was folded into twelve parts, leaving two horizontal and three vertical creases, with very slight wear, including a small hole in the lower centre of the map at the intersection of two creases. Small tear in the far lower left, however the area affected is only ocean. There is also a small black smudge in the ocean just off the tip of the north-western peninsula.

The map has been produced in the style of Jeong Cheok (정척/鄭陟, 1390– 1475), a successful 15th century cartographer, himself a scholar-retainer who served several Joseon kings. The modern concepts of latitude and longitude were not understood in Korea until the early 19th century, and the flatness and distortion of the land in Jeong Cheok-style representations reflect this. Nonetheless, the shape, layout, and topographical properties of the provinces are depicted with impressive accuracy, enabling an overland traveller to plan the most direct route avoiding natural barriers. “Jeong Cheok” maps bear a number of distinct stylistic characteristics. First, further information is added in a text border surrounding the map. Second, natural topographical features are highly simplified; mountains are indicated symbolically as a jagged row of uniform peaks, and coasts and waterways are low-detail. Third, districts – always with two-syllable names – and military bases are represented by uniformly sized bubbles. In this map, these bubbles are pink; the district name is written down the centre of the bubble; to the right is the number of days of overland travel required to reach it from the capital, and to the left is its administrative classification. The capital city (gyeong ) bubble is circled twice. The Joseon administrative classification system includes, from largest to smallest, the bu (provincial capital city), mok (mid-level city), gun or su (county or prefecture), and finally lyeong or gam (small town).

The lines and text of the map are drawn in black ink. Land is uncoloured, while water is depicted in a light blue wash. Strikingly, water is coloured darker blue where it meets land. Mountains are coloured brown and labelled. Islands, also named, are depicted as white ovals in the ocean. Land-based outposts (yeogdo 驛道) and offshore ocean settlements are marked in white boxes. There is a title box with “Capital – [province] four” (gyeonggi sa 京畿四) in the top right corner. Within the text border running along the top, left, and right sides, there are remarks about what lies beyond the map in these directions.

L1755

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MING CHINESE MAP

MING CHINA’S LAND, ISLANDS, AND RIVERS

L1756 Ming China

Overview of the Realm (Tianxia tu lüe 天下圖略).

China, between 1625-1650.

£12,500

Fascinating hand-drawn map depicting Ming明 dynasty (1368 – 1644) China and surrounding lands produced by an unknown Chinese cartographer between 1625 and 1650. The map aids long distance journeys by water. It makes prominent the inland waterway networks and oceans of Ming China and beyond. It also depicts those locations – cities, countries, and islands – that can be accessed by navigating expanses of water, including distant locations. Other unusual features include the notation of corresponding constellations for each province and the names of local tribes. Stylistically, the map is clear and minimal, using a simple palette of red, brown, and blue wash. Overall, with its culturally rich and eclectic content and its portable size, this map would have been a valued personal possession of an enthusiastic and well-travelled scholar, learned merchant, or even Jesuit. It is highly likely that the map was unique to its original owner.

Mounted within thin oriental dark wood, framed and glazed, measuring 39cm x 30.5cm, on bamboo paper. The paper is slightly yellowed and there are occasional darker marks, however none of this diminishes the legibility or artistry. Previously folded into six parts, the creases are dark and worn, so writing and imagery is occasionally partially obscured. Small tear on character “略” of the title. The map is bordered with a thin black line, set within a further black-lined border, 3.5cm deep at foot, 1-1.3cm at left, 0.3-0.6cm at right, and 5.3-5.5cm deep at head. The map measures 28.5cm (head) x 28.7cm (foot) x 29.7cm (left) x 29.4cm (right); it does not form a perfect square. In the top right hand corner is a box bearing the title “天下圖略” (and the final character is a variant.) Text and lines are in black ink. Land is not coloured, water is indicated with a pale blue wash, and mountains are dark brown. Province boundaries not obvious from natural topological barriers are lined red. Ringed in red are cities of political, cultural, and historical significance. Names of the provinces are ringed in black, and of towns and cities in black boxes.

Within the map, the fourteen administrative provinces of Ming China are disproportionately expanded relative to surrounding areas. They account for approximately 80% of the surface. The layout of the inland waterway network is the most prominent feature. Minor rivers are rendered as large as major ones, and named. Lakes and even the sources of some rivers are named. Also privileged are the relative positions of major waterside settlements. The map depicts them as similarly sized and spaced, illustrating at a glance the order in which one would arrive if travelling by boat. This depiction of the waterway network and its cities is distorted to fill the area of Ming China, and water-poor areas in the far west and north are dramatically shrunk or dispensed with entirely. Compensating for the distortion, the true distance between major Ming Chinese cities is stated in miles (li ) at several points.

Cities and districts of greatest political, cultural, and historical significance are ringed in red: the northern and southern capitals of Beijing 北京 and Nanjing 南京, the cultural centre and ancient capital of Luoyang 洛陽, and Xianyang 咸陽. Xianyang was important to the Western Zhou (1046 – 771 BC, remembered as a halcyon period of pre-imperial China) and as well as the capital of the first dynasty, the Qin (221 – 206 BC), and these dynasties are noted on the map. Also drawn and named are several mountain ranges, which would serve as markers for navigation by water. Interestingly, the name markers of many of the fourteen provinces and Joseon Korea (Chaoxian 朝鮮) are accompanied by the name of corresponding constellations from among the twenty-eight lunar lodges (ershiba su 二十八宿). The Great Wall (chang cheng 長城) is marked, but its shape is distorted. For example, Ming extensions of the Wall into the east, which reach to the modern border of North Korea, are depicted as a stub. Similarly, the western extremities of the Wall extending through modern Gansu and Xinjiang are shrunk and simplified.

Water features are also the focus in the depiction of territories beyond the border. Interestingly, foreign water features are rendered as large and as clearly as those within Ming China, even if unconnected. These include Lake Baikal (Hanhai 瀚海) and, in the southwest, what appears to be the Indus river. Mountains that are near to or form the source include the Khentii mountains (Langjushan 狼居山) and of greatest cultural importance, the Kunlun 崑崙 mountains in the west. One of the most intriguing features is the depiction of the mythical underground river linking the Yellow River back to its imagined source in the Kunluns, drawn in faint yellow and running below the Great Wall. Many non-Han tribes, settlements, and ethnic groups are indicated in their proper locales.

In addition to these natural features, also depicted are outlying foreign regions and nations, bordering China or accessible by water. These are rendered comparatively small in contrast to the provinces of Ming China itself. These include modern Tibet and Xinjiang (Xifan 西蕃), Joseon Korea, Japan (Ribenguo 日本国), what is now Vietnam (indicated both as Annan 安南 and Jiaozhi 交趾), Thailand (“Siam”, Xianluoguo 暹羅国), the Chenla kingdom (Zhenlaguo 真臘国), and modern-day Hainan (Qiongzhou 瓊州). (It is noteworthy that the character used for “country”, guo , is a pre-modern simplified form.) Also included is the Xiaoliuqiu 小琉球 island, just off the southern coast of Taiwan. However, Taiwan is not depicted, even though it was well-known to and settled by the Ming Chinese. This is also the case in other maps of the period.

Far off islands in the southern and eastern seas or circled regions in the west and north are marked in minimal detail. The Liuqiu kingdom (Liuqiuguo 琉球国), for example, refers to unspecified islands in the East China Sea, though the name is currently used for the Ryukyu Islands. The “Kingdom of pierced stomachs” (Chuanweiguo 穿胃国), “Kingdom of large men” (Darenguo 大人国), and “Kingdom of little men” (Xiaorenguo 小人国) belong to this category. Most interesting among these, perhaps, is the country is the far southeast, Nürenguo 女人国, “Kingdom of women”. Some scholars believe this refers to the uncharted but rumoured areas of Northern Australia, which many Ming Chinese presumed to operate a matriarchal society. Interestingly, in the territories to the west there are circled spaces that have been left blank, anticipating unknown lands there whose names might be added.

L1756

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KOREAN MAP, Jeolla Province

JEONG CHEOK MAP OF KOREAN PROVINCEL1755 Korean Map 1

Map of Jeolla province, Joseon Korea.

Korea, first half of 18th century.

£2,250

Hand-drawn map, first half of the 18th century, depicting Jeolla 全羅, sixth of the eight provinces of Joseon Korea (Joseon paldo 朝鮮八道, which were reorganised into the 13 modern provinces in 1896.) It states the administrative classification of each district or outpost, as well as how many days of overland travel are required to reach it from the capital. It was intended to aid scholar-officials holding government civil service positions in planning their journeys. This map was produced by an unknown Joseon Korean cartographer in the celebrated and highly distinctive “Jeong Cheok” style, and is a superb example of this quintessential pre-19th century cartographical tradition.

Mounted within thin oriental wood, framed and glazed, the map, on bamboo paper, is set within a fabric border 5.9cm deep, measuring 45cm x 39.3cm. The map itself is 33cm x 27.3cm. Text border on all sides, however the lower border has been cropped. The borders that remain are 1.4cm deep. The paper has occasional faint darker areas, however none diminish the legibility or artistry. The map was folded into twelve parts, leaving two horizontal and three vertical creases, with very slight wear. Small hole in the lower centre of the map at the intersection of two creases; tear at lower edge (6.5cm x 3cm at its worst) affecting the depiction of the southernmost peninsula.

The map has been produced in the style of Jeong Cheok (정척/鄭陟, 1390 – 1475), a successful 15th century cartographer, himself a scholar-retainer who served several Joseon kings. The modern concepts of latitude and longitude were not understood in Korea until the early 19th century, and the flatness and distortion of the land in Jeong Cheok-style representations reflect this. Nonetheless, the shape, layout, and topographical properties of the provinces are depicted with impressive accuracy, enabling an overland traveller to plan the most direct route avoiding natural barriers.

“Jeong Cheok” maps bear a number of distinct stylistic characteristics. First, further information is added in a text border surrounding the map. Second, natural topographical features are highly simplified; mountains are indicated symbolically as a jagged row of uniform peaks, and coasts and waterways are low-detail. Third, districts (always with two-syllable names) and military bases are represented by uniformly sized bubbles. In this map, these bubbles are pink; the district name is written down the centre of the bubble; to the right is the number of days of overland travel required to reach it from the capital, and to the left is its administrative classification. The Joseon administrative classification system includes, from largest to smallest, the bu (provincial capital city), mok (mid-level city), gun or su (county or prefecture), and finally lyeong or gam (small town).

The lines and text of the map are drawn in black ink. Land is uncoloured, while water is depicted in a light blue wash. Strikingly, water is coloured darker blue where it meets land. Mountains are coloured brown and labelled. Islands, also named, are depicted as white ovals in the ocean. There are one military base (byeongyeong 兵營) and two naval bases (suyeong 水營), left and right, in pink bubbles. Land-based outposts (yeogdo 驛道) and offshore ocean settlements are marked in white boxes. There is a title box with “Jeolla province – six” (Jeolla do lyuk 全羅道六) in the top right corner. Within the text border running along the top, left, and right sides, there are remarks about what lies beyond the map in these directions.

L1754

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TORNAMIRA, Francisco Vicente de

SPANISH INTERPRETATION OF THE NATURE OF THE UNIVERSE

Chronographia, y repertorio de los tiempos.

Pamplona, Tomás Porralis, 1585.

£5,250

FIRST EDITION. 4to., pp. (8), 560, (8). Roman letter; printer’s device on title and final verso, foliated initials, first historiated ‘A’ with charming Dance Macabre, numerous large astronomical woodcut illustrations, tables and diagrams, original correction slip pasted at foot of p. 60; browned in places. A good copy in eighteenth-century half vellum stained to resemble calf, spine gilt in compartments, marbled boards and endpapers, all edges blue; early ‘SE’ ink stamp at foot of title.

Rare first edition of a wide-ranging astronomical, cosmographical and historical book, one of the first of its kind to be directly written in Spanish. Little is known of the life of Francisco Vicente de Tornamira (1534 – 1597), born in Tudela, Navarre. Chronographia was the most influential work of this prominent Spanish astronomer, illustrating in 162 chapters the creation of the universe, the various branches of philosophy, the movement of planets, the constellations and the Zodiac, the universal chronology realm by realm, a series of calendars, almanacs and weather forecasts. All the subjects were elucidated further with a large number of illustrations, including, most notably, a traditional depiction of the Armillary Sphere and other globes, the Astronomical Man and the Roman gods on their chariots representing the planets named after them.

A fervent supporter of Ptolemaic vision of the universe against the heliocentric theory, Tornamira comes up with convoluted explanations to bridge the gap between mathematical calculation and the traditional model of planetary movement. A most interesting part is devoted to the solar calendar and the recent reform introduced in 1582 by Pope Gregory XIII, discussing the exact days of the year in which Lent, Corpus Domini and Easter should be celebrated. Tornamira expanded on this topic in his subsequent work, the Spanish translation of the new Gregorian calendar (1591).

“On p. 40 there is a reference to the Magellan circumnavigation; on p. 497 a list of the midsummer’s days of the New World; on p. 538-539 locations of New World cities.” Alden 585/67.

Rare outside Spain. Only one recorded copy in the US (New York Public Library).

Not in Brunet. BM STC Sp., 204; Adams, T 803; Graesse, VII, 174; Houzeau & Lancaster 2763; Palau 334501. Cantamessa III 8057.

L2100

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MILLER, Thomas

Turner and Girtin’s Picturesque Views, Sixty Years Since.

London, J. Hogarth, 1854.

£200

Imperial 8vo. (lx) 164 + 30 engravings on copper. Publisher’s red, half-morocco with gilt back, minimal browning to plate edges, boards slightly discoloured in places. A nice copy.

The first re-printing (third state) of Turner and Thomas Girtin’s thirty contributions to the “Copper-Plate Magazine” (1794-98), the second states of which appeared in the “Itinerant” (1798). Thomas Miller in his preface describes the recovery of the original plates and the efforts required to clean and prepare the plates for this 1854 edition. In 1873, a second re-print was undertaken (fourth state; Rawnlinson, Reprint B), but the results were poor. The volume includes important, early biographies of both artists. The full page views are the earliest engravings after Turner and Girtin. The book is “worth having” (Muir, p.81).

Rawlinson, vol I 1-15a, reprint A.

X66

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BACON, Francis

De Verulamio Novum Organum, sive Indicia Vera De Interpretatione Naturae. Cui Praefixa Reliqua Instaurationis Magnae; Et Subjecta Parasceve Ad Historiam Naturalem et Experimentalem.

Glasgow, J. & J. Scrymgeour, 1803.

£75

8vo., pp. (xxxvi) 305, (i). Roman letter, undecorated, ‘Deaccession’ stamp in lower blank margin of first, faded and repeated on pastedown. Light age yellowing, a good copy in contemporary tree calf, re-backed spine and label neatly remounted.

B71

BACON, Francis

Historia Naturalis & experimentalis de ventis.

Amsterdam, Elsevier, 1662.

£950

12mo. (viii) 232, (xvi). Roman and italic letter, head- and tail-pieces, engraved title page depicting the creation of a tempest through magic. Light age yellowing, a good clean, well-margined copy in ornate straight-grained red morocco by Bozerian with gilt-ruled and -rolled panels, compartments richly gilt on spine, all edges gold, marbled endpapers, armorial bookplate of Holland House on pastedown. Arthur Houghton’s acquisition note on rear free end paper.

B48

BACON, Francis

Scripta in Naturali et Universali Philosophia.

Amsterdam, Ludovico Elzevir, 1653. (with)

Historia Naturalis & Experimentalis de Ventis.

Leiden, Francis Hack, 1648.

£1,250

12mo. Two volumes in one. pp. (xii) 336 + fold-out 337-496, (xvi) 232, (xvi).

FIRST EDITION of first, and FIRST LATIN EDITION of second work. 1) Roman and Italic letter, head- and tail-pieces, engraved title page depicting three debating philosophers with various instruments (astrolabe, globe, sextant), printed title page with Elzevir device. 2) Roman and Italic letter, head- and tail-pieces, engraved title page depicting the creation of a tempest through magic. Light age yellowing, fold-out plate torn with no loss, C19 ex libris on fly, in contemporary polished vellum, title written in brown ink on spine, all edges speckled blue.

Gibson 223 “important collection,” 110a.

B38

STRABO

A GEOGRAPHY MANUAL OF THE ROMAN EMPIRE AND ANCIENT GREECE

De situ orbis.

Venice, Heirs of Aldus Manutius, 1516.

£55,000

FIRST EDITION thus. Folio, pp. 348 (i.e. 366); Greek letter; Aldine device on title and final verso, elegant section titles, vine-work initials and head-pieces in red at beginning of each book; minor repair to title, light damp stains, mainly on gutter and upper margin; paper flaws on 65 just affecting a couple of letters. A very good, well-margined copy in nearly contemporary limp vellum, author’s name inked in Greek capitals along spine and fore-edge; slightly dust-soiled; Feltrinelli’s label on front pastedown and blind stamp on lower outer margin of front endpaper.

Editio princeps of one of the earliest and most influential geographical surveys of Antiquity. Scion of a prominent family of the Pontus region, Strabo (64/63 BC – c. 25 AD) travelled extensively through Southern Europe, North Africa and Middle East, mostly during the peaceful reign of Augustus. The Geography is his only surviving work and the first comprehensive account of the subject as known to his contemporaries.

The topography, geology, history and political features of the main regions of the Roman world are thoroughly described, relying on first-hand investigation and many Greek sources now lost, such as the writings of the first systematic geographer, Eratosthenes (c. 276 – 195/4 BC), and of Hipparchus (c. 190 – 120 BC). Above all, however, Strabo regards Homer as the most authoritative writer. Strabo’s descriptions of the Mediterranean regions, Asia Minor and Egypt are excellent, while those of Gaul and Britain are weaker. Almost unknown to the Romans, the Latin version of the Geography became the standard geographical reference work during the Middle Ages. Among many other significant remarks and hypotheses, Strabo was the first scholar to discuss in detail fossil formation and vulcanism (both in Book 3).

This editio princeps – beautifully enriched with section titles, capitals and head-pieces printed in red (an unusual feature for the Aldine press) – was accomplished by Benedetto Tirreno and Andrea Torresani, most likely with the help of Marco Musuro; the dedication to Alberto Pio of Carpi bears a touching encomium of Aldus, recently passed away. The text was drawn from a rather corrupted manuscript, now in the BnF (Par. gr. 1395). The enterprise was wholeheartedly encouraged by Jean Grolier, who urged Torresani to continue editing and publishing Greek and Latin classics, as Aldus had done throughout his career.

BM STC it., 648; Adams, S1903; Hoffmann III, 453; Renouard, 77:7; Brunet, V, 554; Graesse, VI, 505.

K49

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