Thaumatographia NaturalisAmsterdam, Apud Guilielmum Blaeu, 1632
FIRST EDITION. 12mo [xii] 501 [iii]. Roman and Italic letter, woodcut initials and tail-pieces, t.p. with printer’s device of an orrery. Light age browning, otherwise a good clean copy with C17 annotations, in contemporary English calf, covers triple-ruled in blind, spine remounted, a.e.r.
FIRST EDITION of Jonston’s most popular work on “admiranda” or wonders of nature organised into ten categories (heaven, earth, and topics relating to meteors, ‘fossils’ or minerals, plants, birds, quadrupeds, insects and ‘bloodless’ animals, fish, and humans). The work draws heavily from classical sources such as Aristotle, Pliny, and Seneca, but also from the more recent work of Aldrovandi, and in the section on plants includes descriptions of the flora and fauna of the New World, as well as tobacco. Each section is headed by a useful index to its contents, and the work concludes with a poem in praise of Jonston by the Bohemian poet Venceslaus Clemens.
John Jonston (1603 – 1675) emigrated from Poland to Scotland in 1622 and studied natural history at St. Andrew’s for four years. He received the degree of Doctor of Physic from both Leyden and Cambridge. Despite the compact size of Thaumaturgia, his earliest work, its wide range of material prefigures his later, large-scale works on Fish, Insects, Birds, and Trees, made possible by his extensive travel through Europe and access to its libraries, as well as firsthand observation.
Venceslaus Clemens (1589 – 1640?), Protestant and prolific Neo-Latin poet, was forced to leave his native Bohemia after the Battle of White Mountain. His Gustavis, printed the same year as the Thaumatographia describes the anguish of exile and praises Gustavus Adolphus and the victory of the Swedish Army at the Battle of Breitenfeld, which Clemens credits as saving the Protestant cause in Europe.Garrison-Morton 287 “A compilation of all the contemporary zoological knowledge”. Wellcome I 3477. Alden II 632/48. Not in Shaaber or Sabin.