JOACHIM, De Fiore

PAPAL PROPHECIES AND ORACLES OF THE MIDDLE AGES

Vaticinia, siue Prophetiae abbatis Ioachimi, & Anselmi episcopi Marsicani, cum imaginibus aere incisis, correctione (with) Vaticinia seu praedictioner illustrium virorum

Venice, Hieronymum Porrum and Giovanni Battista Bertoni, 1589.

£4,750

FIRST EDITION thus. Two works in one. 4to. 1) 72 unnumbered leaves (with additional C4), a-d4, A-O4,  (O3,4 blank). 2) pp. 59, (i). A-F⁴ G⁶. Roman and Italian letter. Engraved title with portrait of Joachim de Fiore, supporting two stone tablets, the title in Latin and Italian, four full page and 30 half page engraved plates by Girolamo Porro of portraits of Popes with Latin captions and Italian translations, extra illustrated with another variant of the portrait of Joachim on C4 tipped in, this one full page, plate of ‘Oraculum Turcicum’ with caption in Turkish characters and engraved text below, text within typographical border, large woodcut initials and grotesque headpieces; title of second work within fine engraved architectural border, six full page engraved plates by Porro. ‘Liber Georgius W. Dasent. Ex Aul S. Magdalena oxon. 103 ch’ in C19th hand on fly, early manuscript shelf mark opposite, engraved bookplate of S.A. Thompson Yates on pastedown, bibliographical pencil note below concerning the binding. Light age yellowing, occasional marginal thumb mark or spot, second title fractionally trimmed at outer margin. Very good copies, crisp and clean, with good margins, the engravings in rich, dark, impressions, in contemporary speckled calf, spine with raised bands, double gilt ruled in compartments with scrolled tools to corners and central fleurons gilt, monogram HD gilt on covers, surrounded with four crossed S tools, a.e.g., joints and corners a little worn, modern brown morocco slipcase.

First edition, beautifully illustrated with the fine engraving of Giralamo Porro, of the medieval Papal prophecies, wrongly attributed to Joachim of Fiore, including a final prophecy predicting the fall of the Turkish Empire, the so called ‘Red Apple’ prophecy. The work contains the  commentary on the prophecies by Pasqualino Regiselmo. There were three variants of this first edition according to Edit 16, all line by line copies, and this copy has been extra illustrated with the variant, fine, full page engraved portrait of Joachim writing by divine inspiration; it also has the full page image of the ‘Wheel of the Popes’. There follow the 30 prophecies in Latin and Italian, each illustrated by fine emblematic engravings, the Turkish prophecy, with a full page illustration, and Regiselmo’s commentary. A series of prophecies concerning the Papacy circulated in manuscript from the late thirteenth to early fourteenth century concerning popes from Pope Nicholas III onwards, in the form of a Latin text which assembled portraits of popes and the prophecies related to them. The texts and illustrations are so closely related they must have been conceived together.

The prophecies, based on Greek prototypes, were probably intended to influence one of the ongoing papal elections, possibly written in opposition to the Orsini and their candidates. They are derived from the Byzantine Leo Oracles, a series of twelfth-century Byzantine prophecies that foretell a savior-emperor destined to restore unity to the empire. The series was augmented in the fourteenth century with further prophecies, written in imitation of the earlier, but with more overtly propagandist aims. By the time of the Council of Constance (1414–1418), both series were united as the ‘Vaticinia de summis pontificibus’ and misattributed to the Calabrian mystic Joachim de Fiore. Each prophecy consists of four elements, an enigmatic allegorical text, an emblematic picture, a motto, and an attribution to a pope. The final prophecy tells the vision of Mehemet II in which he holds a red apple which becomes progressively heavier and heavier so as to be unbearable. It prophesies the capture of Constantinople by the Christians and its later recapture and destruction of the Turks.

A very good copy of this finely illustrated work. The second book contains prophetic writings falsely ascribed to Joachim, Anselmus, and other medieval mystics, illustrated with six complex prophetic astrological wheels related to various Popes. This work had previously been published with woodcut illustrations; Girolamo Porro was the first artist to supply these superb copper-engraved plates.

Sir George Webbe Dasent (1817–1896) was a translator of folk tales, a friend of Jacob Grimm, at whose recommendation he first became interested in Scandinavian literature and mythology. In 1842 he published the first result of his studies, an English translation of ‘The Prose or Younger Edda’. In the following year he translated Rask’s ‘Grammar of the Icelandic or Old-Norse Tongue’, taken from the Danish, and later ‘The Story of Burnt Njal’, a translation of the Icelandic ‘Njal’s Saga’ and ‘East O’ the Sun and West O’ the Moon’, a collection of Norwegian fairy stories. The book then passed into the extraordinary collection of the famous bibliophile Thompson-Yates.

The binding is of great interest. Guigard (Vol I p. 20-22) attributes the monogram HD with the surrounding four ’S’ tools to Henry IV of France and his lover, and the mother of his children, the famous courtesan Gabrielle D’Estrées. He suggests that as this monogram also appears on a work with Louis XIII’s and Ann of Austria’s crowned monograms, the work could have passed from Gabrielle’s library to Louis’s. The S with a line through it is thought to be a punning cipher, devised by Henry IV, for Gabrielle d’Estrées; the surname being represented by a capital S. with ‘un trait’, or stroke through it (S-trait – Estrées.). Hobson devoted an entire article on the ‘S’ appearing on book bindings from ca. 1580 till 1640 and surrounding a monogram. (G.D. Hobson, ‘Le problème de l’S fermé’: Hobson, ‘Les reliures à la fanfare’, pp. 85-119, Amsterdam 1970) He rejects Guigard’s suggestion that the monogram could be that of King Henry IV, and Gabrielle d’Estrées. Hobson considers various possibilities regarding the meaning of the ‘closed S’, suggesting it could be an emblem of fidelity or an emblem of the loyalty to the Bourbon family; it could also mean ‘Sigillum’. Guigard also states that the ’S’ could stand for “fermesse pour fermement. Cette interpretation est confirmée par le Seigneur des Accords” but also notes that the monogram appears on other bindings that don’t have a sentimental attachment to them.

A most intriguing binding and a lovely copy of these works, with excellent provenance.

BM STC It. C16th p.356. Adams J213. Landwehr, Romantic emblem books 415. Caillet 5541 “fort rare .. fort interessantes”. Dorbon-Ainé 2279: “Édition très rare, surtout intéressante pour son illustration.. tout fort curieuses”.

L1885

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NOSTRADAMUS

CELESTIAL WARNING SIGNS IN VERSE

Les Propheties.

Lyon, Pierre Rigaud, n.d. (1604).

£2,750

8vo. Two parts in one, pp. 125 (iii): 78 (ii), with both blanks. Roman letter, some Italic. Woodcut printer’s device on both titles, floriated woodcut initials and woodcut headpieces. Light age browning (poor quality paper), minor marginal water-staining in places. A good copy in contemporary limp vellum.

Charming popular edition of the prophecies of Nostradamus, printed by Pierre Rigaud, a deliberate copy of the earliest editions, printed at Lyon by the same family, here without date. Later editions by Rigaud were printed with false earlier dates; it is one of the earliest editions of the first revival of interest in Nostradamus, in the early C17th. The first part contains the famous dedication to his son, and the second his dedication to Henry II.

The work was originally published in three parts, the first containing 353 poems. The second part was printed in 1557 and added 289 further prophecies; the third and final part of 300 new poems was printed in 1558, posthumously, as part of the ‘works’ published by Pierre Rigaud Sr. These poems, or rhymed quatrains, were grouped into nine sets of 100 and one of 42, called “Centuries.” Nostradamus claimed each prediction was based upon his astrological reading of particular events, though it is evident that a great deal of the work is copied from earlier Latin authors such as Livy, Plutarch, and other classical historians, and many are taken directly from Richard Roussat’s ‘Livre de l’estat et mutations des temps’ (1549 – 1550). The ‘Mirabilis Liber’ of 1522, which contained a wide range of prophecies by such authors as Pseudo-Methodius, the Tiburtine Sibyl, Joachim of Fiore, Savonarola, and others, was also a well used source.

His considerable initial success was based on the fact that he was one of the first to re-paraphrase these prophecies in French. Further material was gleaned from the ‘De honesta disciplina’ of 1504 by Petrus Crinitus, which included extracts from Michael Psellos’ ‘De daemonibus,’ and the ‘De Mysteriis Aegyptiorum,’ a book on Chaldean and Assyrian magic by Iamblichus, a fourth-century Neo-Platonist. Most of the quatrains deal with disasters, such as plagues, earthquakes, wars, floods, invasions, murders, droughts, and battles—all undated and based on foreshadowings by the ‘Mirabilis Liber.’

The work was remarkably popular and has been reprinted over two hundred times since its first appearance. Popular modern interpretations of the quatrains have shown them to predict the French Revolution, Napoleon, Hitler, the nuclear destruction of Hiroshima and Nagasaki, and even the death of Princess Diana and the events of 9/11. An important contemporary theme was the fear of an impending invasion of Europe by Muslim forces, headed by the expected Antichrist, directly reflecting the Ottoman invasions of the Balkans. The work was published within the context of a general fear of an imminent apocalypse. A rare and charming popular edition.

Not in BM STC Fr. C16th. Merland “Répertoire des livres imprimés en France au XVIIe siècle.” Lyon VI, p. 215, Pierre I Rigaud, 49. Caillet 8068. Not in Cantamessa.

L1702

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FERRER, Saint Vincent

Prophetie Danieles tres horribiles de casu videlicet & ruina vite spiritualis.

Cracow, Floriano Unglerio, 1527.

£5,750

FIRST EDITION. 8vo. ff. 20. Gothic letter, title page with dramatic woodcut of falling city. Light age yellowing, some dampstaining around edges of margins, a good copy with manuscript annotations throughout, in later marbled wrappers.

Ferrer’s work on the decline of spiritual life describes the Golden (‘everyone knew their Pater Noster, Ave Maria, and Creed’), Silver (with Augustine, Jerome, Gregory, and Ambrose as guides), and Iron Ages of Ecclesiastical life, interpreting the visions of the Prophet Daniel to account for the Papal Schism of 1378.

Vincent was fiercely loyal to Avignese Pope, Benedict XIII who was excommunicated as a result of the Council of Constance. He was nonetheless highly respected. Rather than attend the Council, he travelled throughout the Iberian peninsula preaching, converting, and working miracles. His earliest biographers estimate that he converted 25,000 among the Jewish community alone.

Wierzbowski II 1040.

L1328

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