GALLE, Theodore; ORSINI, Fulvio; FABER, Johannes

Illustrium imagines ex antiquis marmoribus, nomismatibus, et gemmis expressae, quae exstant Romae, maior pars apud Fulvium Ursinum

Antwerp, ex officina Plantiniana, 1606.

£3,250

FIRST EDITION thus. 4to. 2 parts in 1 vol.; 1) pp. 8 [iv], 151 engraved plates, pp. [iv], 17 engraved plates lettered A-R. 2) pp. (viii) 88 (vi). Five additional plates from another work. Roman and Italic letter. Finely engraved title-page with figures of ‘Cornucopiae’ on one side ‘Felix antiquitatas’ on the other, intricate early monogram finely stamped below, full-page engraved portrait of the author, 151+17 engraved plates, Plantin’s engraved printer’s device on second title-page, his woodcut printer’s device on final verso, with 5 additional similar engravings at end, ‘Joseph Lauthier’ inscribed at foot of first title-page, armorial bookplate of Oliver Pemberton on pastedown, Patricia A. Milne-Henderson’s booklabel above, armorial bookplate of Henry J.B. Clements of Killadoon, Ireland, on rear pastedown. Light age yellowing, t-p fractionally dusty, the occasional mark or spot. A very good, well margined copy in good contemporary French red morocco gilt, covers bordered with a double gilt rule, gilt central oval formed of leafy sprays, spine gilt ruled in compartments, gilt fleurons at centres, later black morocco labels gilt, extremities and joints a little worn, spine a little rubbed.

First edition of this important collection of portraits from antiquity with the commentary of Johannes Faber and with an additional 17 plates. Fulvio Orsini of Rome, 1529 – 1600 was a renowned antiquarian, collector of books and antiquities, particularly gems and portraits. Orsini published a number of his own ancient portraits, with commentary in his ‘Imagines et elogia virorum illustrium at eruditorum’ (Rome 1570). “Most of our knowledge about Orsini’s collection comes from the work of Dirk Galle (Gallaeus) who visited Rome in 1595 and made drawings of 240 portraits from Roman collections, especially that of Orsini. Galle engraved 151 of these for his own illustrium imagines (published by Plantin, Antwerp 1598), but Orsini was dissatisfied with the publication because it lacked a scholarly commentary. Orsini prepared notes for such a commentary but was unable to complete the work before he died, and the notes were taken over by Johanes Faber, a German physician and botanist to the Pope, who finally issued the commentary for the second edition of the work (Antwerp 1606). This book enlarged with seventeen additional reproductions, became the basic reference work on portrait iconography for two centuries… for this kind of work he (Orsini) is o en characterised today as the ‘father of ancient iconography.’ One of his most influential identifications however was later rejected. He was the first to identify the portrait of Seneca, from a bust in the Farnese collection; later he was proved wrong with the discovery of an inscribed portrait bust of Seneca in 1813.” Nancy Thomson de Grummond. ‘Encyclopedia of the History of Classical Archaeology.’

This work is extra illustrated with five further plates in the same style, unsigned but also probably by Galle and drawn from the Orsisni collection, with the manuscript title, Appendicula Nondam edita. They include a portrait of Pompeius Magnus, broken busts of Aristoteles, Euripides, and inscriptions concerning Menander and Homer.

The Joseph Lauthier autograph on the title is probably that of the Author of the work “Nouvelles Regles Pour Le Jeu De Mail,” published by C. Huguier & A. Cailleau, 1717 and translated into English the same year as ‘New rules for the game of Mail’. The Game of Mail or Pall Mall is one of the precursors of the game of Golf.

BM STC Low Countries 1601-1620 p. 218, G8.

L2366

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CICERO, Marcus Tullius

Epistole famigliari.

Venice, Paolo Manuzio, 1554-1555.

£1,750

8vo, ff. 319, [1]. Italic letter; large printer’s device on title and, within floral border with putti, on last; occasionally lightly age yellowed, light damp stain to lower gutter of a few central gatherings. A very good copy in contemporary rustic limp vellum, contemporary title inked on spine; pasted stubs from fourteenth-century ms, remains of ties; slightly worn; contemporary ex libris of ‘Pompeo del Capellan’ at foot of final verso and couple of marginalia in his hand; inscriptions, drawings and scribbles, partly faint, by other contemporary hands on front and rear endpapers and flys and formerly on covers.

An interesting copy of the earliest influential Italian translation of a masterpiece of Latin literature, first published by the Aldine press in 1545. The translator, Guido Logli from Reggio, was a man of letters in service of the Farnese family and acted as agent of Paolo Manuzio in contracting the publication of some works of Annibal Caro and Girolamo Ruscelli. This edition is part of the ambitious plan pursued by Paolo Manuzio to provide his readership with the complete works of Cicero not only in Latin, but also the Italian vernacular.

The vast corpus of Ciceronian Epistolae and Orationes was for a long time used as foundation texts in early modern schools. Indeed, this copy bears an inscription of the otherwise unknown ‘Pompeo de’ Capellan’, written in a childish hand and employing Venetian dialect (‘Questo libro siè de mi’). The other inscriptions, scribbles and drawings – some only visible under UV lamp – by Pompeo or slightly later students comprise try-outs of Latin alphabet, a passage from the prayer to Virgin Mary (‘sancta Maria ora pro nobis’) and a formal address for a letter in Italian vernacular (‘Al Mag.co sig.or Manoli amico et come patron mio sempre osser[vantissimo]’). A charming Italian Renaissance school-book.

BM STC It., 179; Adams, C 1985; Graesse, II, 185; Renouard, 161:16; Fontanini, I, 233-234.

ITALIAN

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BACON, Francis

The Essayes, or counsels, civil and moral. To which is added I. The wisdom of the ancients. II. Of the Colours of Good and Evil.

London, A. Millar, 1755.

£125

8vo. pp. (viii) 306, (x), last blank. Roman and italic letter. Title page a bit dusty and browned at edges, light browning and age yellowing, a good, well-margined copy in contemporary calf, re-backed, spine gilt in six compartments.

Not in Gibson.

B65

BACON, Francis

The Essays, Or Councils, Civil and Moral, with a Table of the Colours of Good and Evil. And a Discourse on the Wisdom of the Ancients.

London, E. Holt for Richard Chiswell, 1701.

£175

8vo. pp. (viii) 167, (xviii) 114. Roman and italic letter. Age yellowing, title page upper margin trimmed with no loss of text, rubbed out ex libris, “Banister 1707” to inner margin of free end paper. A few stains, a good copy in modern 1/4 calf, marbled boards.

Gibson 28c.

B63

BACON, Francis

The Essays, Or Councils, Civil and Moral, with a Table of the Colours of Good and Evil. And a Discourse on the Wisdom of the Ancients.

London, J. Newton, 1696.

£250

8vo. Roman and italic letter, black letter on title page. Title page with slight marginal tear, not affecting text, age yellowing and occasional foxing, a well-margined copy. “Isabella Perceval given to her by her Mother Feb. 1805” on fly leaf. In contemporary calf covers, re-backed.

Gibson 27a.

B61

BACON, Francis

The Essays, Or Councils, Civil and Moral, with a Table of the Colours of Good and Evil. And a Discourse on the Wisdom of the Ancients.

London, A. Swall, 1691.

£250

8vo. pp. (viii) 222, (xiv) 28, (xii) 103, (iii). Roman letter, part titles to second and third works. Light age yellowing, marginal leather soiling to title page, general minor staining and marks. A good, used unrestored copy in contemporary sheep, joints cracked, worn at corners.

Gibson 26d.

B59

BACON, Francis

The Essays, Or Counsels, Civil and Moral, with a Table of the Colours of Good and Evil. Whereunto is added the Wisdom of the Ancients.

London, M. Clark for S. Mearne, 1680.

£950

8vo. (viii) 222, (xiv) 28, (xii) 111, (iii). Roman letter, general title within double line border, separate part titles to second and third works. Old ex dono faded on leaf of first front page, good, clean copy in contemporary calf, re-backed.

Gibson 24a.

B58

BACON, Francis

Novum Organum (with) De Ventis.

Amsterdam, J. Ravesteinii & Elsevier, 1660.

£650

12mo. pp. (xii) 404, (iv) + (xvi) 232, (xvi). Roman letter, finely engraved title page to each work. Good copies in contemporary vellum, early autograph partially scratched out at foot of first title page.

Gibson 106 & 111.

B44

BACON, Francis

De Sapientia veterum.

Leiden, Joannis Maire, 1658.

£150

12mo. Lacking first blank (*1). (xxii) 144. Roman and italic letter, title page with printer’s device. Endpapers browned, first loose, light age yellowing, occasional light foxing, a good copy in contemporary vellum, title inked on spine, all edges blue. “According to the title page this is still the 3rd edition but is in fact the 6th.”

Gibson 90.

B40

BACON, Francis

A REVOLUTIONARY EDITION OF PHILOSOPHICAL TEXT

Novum Organum Scientiarum.

Leiden, Adrian Wyngaerden, 1650.

£1,250

12mo. (xxiv) 404. Roman and italic letter, woodcut initial, head- and tail-pieces, engraved title page of ship between the Pillars of Hercules. Light age yellowing, good, well-margined copy in contemporary calf with panels triple-ruled in blind. Shelf mark to pastedown, later label to spine, speckled edges. Acquisition note of E. Poore 1760.

Enoch Poore (1736-1780), born and raised in Andover Massachusetts, was a Revolutionary War hero, commanding regiments at the battles of Lexington, Crown Point, and Stillwater, before joining Washington at Philadelphia to fight in the New Jersey campaign. After surviving the infamously brutal winter at Valley Forge, Poore fought valiantly under Lafayette at the Battle of Monmouth.

B35