A DRAMATIST’S COPY
Comedies, Histories and Tragedies. Published according to the true originall copies
London by Tho Cotes, for Robert Allot, 1632.
Price on request
Folio, pp. (xx) 303 (i) 232, 419 (i). Text in double column, prefatory matter single, Roman and Italic letter. Ionic head and shoulders English portrait of Shakespeare by Martin Droeshout on title page in unusually fine impression (the author’s best known representation), woodcut initials and headpieces. Address “To the Reader (by Ben Jonson)” inlaid on blank. Lower outer corner of first three leaves slightly soiled. Wine (?) stain to blank outer corner of next three, reappearing very occasionally in text, a few marginal tears and spots, light age yellowing, last leaf dusty. A very good, clean, well margined copy (fuller than Pforzheimers and the same width) in handsome late c. 17 calf spine with gilt compartments, morocco label, arms of the Second Duke of Newcastle, gilt stamped in central panel on covers, joints repaired, directions to binder on rear pastedown, (c17?) autograph of Thomas Wright in red chalk on fore margin of t1, autograph of Edward Filmer (1717) at head of fly and address to reader, and of Viscount Mersey (1938) on fly. In folding box.
A handsome and important copy of the second folio edition of Shakespeare’s plays in the first variant issue and the second authoritative version of the Shakespearian canon. Published 16 years after the authors death, it differs very significantly from the quartos, and is largely reproduced from the first volume (1623). It is from this version of the text that all modern versions derive. Were one asked to nominate the two most important works in the English language, culturally, historically, and linguistically, the Shakespeare folio and the King James Bible would be the obvious choices. As Printing and the Mind of Man 122 (on the first folio) puts it, “the magic of Shakespeare’s poetry is potent only in his own tongue; but the great theatrical scenes, the great dramatic figures are universal. Hamlet’s doubts, the doomed love of Romeo and Juliet, Brutus’ dilemma, the Falstafian image, the characters of Jago, Petruchio, and Lady Macbeth are part of the fabric of western (and not only western) civilisation….they are more real to us than the history books.”
This edition is also notable as containing the first appearance in print of any work of John Milton’s, his prophetic 16-line epitaph on the author that his great lasting monument is “not a starre-y pointing pyramid” but his “unvalued book.”
A very nice association copy. Filmer was a playwright and author, whose tragedy “The Unnatural Brother” was first performed at the theatre in Little Lincoln’s Inn Fields, a place well-known to Shakespeare, whom Filmer much admired. When Collier attacked the English stage (including Shakespeare) in print, Filmer defended both in a sensible and well-written treatise entitled “The Defence of Plays or the Stage Vindicated” (1707) to which Collier was compelled to reply. It was one of the first significant literary controversies immortalised in print.
Henry Clinton, Second Duke of Newcastle (1720 – 1744), was one of the great Whig magnates of his day. Though he played no direct part in politics, his huge influence in so many parliamentary constituencies meant his political support could not be ignored. For his cousin, Sir Henry Clinton, he procured the ill-fated command of the British forces in North America during the Revolution. At Clumber in Nottinghamshire he created one of the most beautiful parks in England. The house there was demolished in 1938, and the present volume sold from the splendid library the previous year along with a great Audubon “America,” and the Lamoignan Hours. Viscount Mersey formed a remarkable collection of important early books during the mid c. 20. Every volume was chosen with care, and he recognised the importance of original condition with appropriate binding long before that became common.
STC 22274 a. Pforzheimer III906. PMM 122 (1st). Greg III pp. 1113-1116. Todd volume V (1952) pp. 81-108.